'Childhood' in Film (essay in Bengali language) more

Ekak Matra, February, 2001. pp.29-32

43 ypn *rt<Hi ^ ^ *ssfl® "fftjSt <TOT^ ^TK^t <IC>ifaft4 b^8^ <?R"^ ^rm^ 'offers' ^ C>IC<K<1 ^3 "Charm of family album" — brjfbbi) ^1^5^ 5, f^TO^ *(G^tvi4lil <TC?#tf^ 1^% *fftit*W to ogt> c^ft ^ ^fs^tfw ?rfwt, f^Rrtftfc ^<rm Pra, ^fHt«« w i ^ ^ fro ^^tfksr l^i^t^ <TKm*fat 4<r c&n CT*-m^ tor <k*t c^f, ftfe to> c?tt*fa* ^rf?H fa<nft<fc c^r^, ^Nt^ w^i ^R?^i to c*tfw xf^t (<m $p ^rm c^W; ^mi^ ^ to #to<j fft to ^rji«ii«vb ^rrRk ^ ^ ^ ^fei *rc^f%?r c^^s ^ ^mi ^ c^i ^rm ^ ^stl^I ^|5lC4<5 ^5 ^ T^T^ ^^^^ ftsf% 'Watering the Gardener' ^5 ^tf^s ^fes \tf\<l csrt^ i ^<^ffi ^fj OT^t ^rnj ^ to^ to^ wtjlr ^ (M igfa ^r]to> i%f^^ tir^RT ^rwpfi ^i^to» fW«N^ <^ ^rf^rrm ^?f^ ns ft^t ^' ^t~<^t tof% ^wRsmt w^RFi ^ i ^iw^ cwm teum (7i Wft cwt^i ^ i ^t<* ^ ^n^wf^ to ^trr 4^ ft^*rnrR4 *fk*itwst 4^ ^Tt TO TO C^t^I I ^*jfTO^# tor i (71^ ^ b<=lfw>M« (Ws *tr i W&Q t^r* c#i WR^ c^ot (71 4CsR *ltetf% 4<k flRT^lw ^i^^ft (.i^iiwg f*f$<r ®*ff^f% <ii^<i<h^ <^Mt4 ^Tbt<* c^r^q ^fa4t<i t^hi 4<rre ^twf^ ^rf^ c^rtf ilpfpi, ^fe^j ^ #3 c^fe c^f i "^fe^i ^rmr^ ^tw fro ftPrai cwi i 4<i*fa Tt^t^fto f%f^ ^71 I ^5 (7f C*tt GtR c£J\FTO^ ^ '^t^fffe^' I8 ^4*tlW<I (71 (?f^ ^ mm ^5^5 ^H^R^ 0 ^75 <TT^ni I ^t^mcf«R^ ^ 4Ger- many Year Zero' "^C^ <ifSR f^pSf ^Tt ^fsH^ >|V||vSr<JtCit<t &ft<JHT C^IH ^I^R (71 C^C«1C4 ^tfe OT^s ^ I C^WM ^ ^ 3£5 (71 ^t%T^m ^W5S 33ft OHI (TTftS ^fra ^TRt ^1 I '^I^^ftR4 (71 ^C<T-<l!c<lX v£] ^R)4^1C4 ffe (71 WUl^ fef% 0$U$ %^ TJ^§, 2i^H s ^tj^ ?wt*F*r i ^iwff^rm ifrtf^p ^C^lC^H, "This coincidence 51 ft^I ^51 ^ ^7?t C4?R of opposites (cold methodical cruelty and ^fWH (71 ^m^T^t (l^m^ >NR>^ ^ "^mi ^Rt^ *ltW I boundless love) is a point at which every ^<finf5re*?l) f^C^^t ^ ^Rffit, Pm^ f^f^ ft«tl^ ^=51^ ^tVDHRtoo "foundation" of act in "words", in ide- C?Tfe4^R# ^itT^ (71 ^fU^ ^ffw^t, ^ <^R^ '^t^f^' ^0 ^ftf^TI ology, fails.........M ^1 ^ 0& *m ^fr^M%^ CTO ^ ^tWIJ^ ^m«t (71 C4R^ ^ml^t b«lfbbW "act" ^Tt ^Slt ^ c^^f tw (^W4 ^n^4 ^^ft *K7TS ^P? Ot*fCS ^ ^Tt4 44f5 b^ifbbW^ %4 C^TI ^1 ^4R^ ^IW S Germanv Year Zero <m ^tft^t' C^T^ ^ (?NtP ^.OFRMMIMm ^fet^R^t (<lC>lPlR, ^^8^)1 ^il^ft ^^8(^ "words no longer oblige"* (TNtW (M (71^ ^| to, ot^ C^^¥f5 ftt% I (TJ^R C^R4 OT^ft^ ^Rcnf^»t^ ^71 "spjcf ^t^^lTO TOtW^TTf 5fR4 ^ *ftjHlft ^fR^ I 4l^%Bct C4^f f^Sf^ ^Hl, C4R<3 W# CSfH^T TO I <[BR4 ^Jt « ^ m^m (71 C4^T f%p^ ^ ^,^1, (71 4<J^1 iffim C*tC5l f&W W& Rtt^ death. ■sjtat^ ^rn^f^ ^rm i c^N ,$TO*tr$ ^ w cstt c^rf^ ^ c?^ wfe^ to fef% i*t?* i sfFtRJ ^ (71^ 4^TQ f§p*1lM« 4^ f^H 'Zero for Conduct' C^t5 C^rf& fa»IM ^m^-^f^ sm7r?i w*\ i **it*it stwwf* f*m?i "sp*! ^ft raw c^trat *fN?t ^ri^t ' #5 w^rcs c^ra to ^ ftrrsj f*f$tff<I R^TTf?J t^ft Wl^i^ <^7I^ (3fcTOt 3g?Ft, ^(^) (71 ^ fel (71 «^^s ftpfa k surplus)"^ f^f^^m T<rr^f?r Rwi^ (ttsr c^, c^if^ (<r WW 5T ^fesf^s^ I (7ft cto^3 <^l^fD ^t^Ht^ ^tfto (7T5 f%sp«f^rm ^ft^ to; to W 3Nfa ^TTt^t (71 ^ b«ifbb4 Blows ^ C*^ ^*tJ ^ SJB TO >IHUf^ f^tm^n^ ^S? ¥^ ^ ^mct ^rsm^ i (TJ^r C^\^> 3$, ^Wt^ C^r<3 ^f^t ^M^l ^ftvsl C^fTO ^st C^fe^TI ^ I f^GTO-^ wHH^vj ^mtfe^ ^»n^ ^mtt ^ti to; ^ ^ < wt^ ^ i ^it ^ >e^1 TO 31 fttR Dcifcc^ TO?^ ffe^S ^^f% <C5fC^1' *vBrl\wl^i ^HW^ ^Rf^ (71 G2^I 0 TO Bunud's, children are beautiful, not be- Ptt^5 ^irC^I^' Co^ft; C*f*tHfe cause they are good or bad but simply ^*fot^l ^^flWT QPfQUfl (7R v£]^ c|$v|Hi (7PITO because they are children, in crime as in 2^711^ t^^;^ ^^GTTt SltqWSI ^TftM TO*tl# *Pft I Wfrt? ^m^Tft s | what is Cinema? Andre Bazin, ^WRI *W» ^ ^; (7T5R '^Stf^ University of California Press 1967,^ > 8 'The Ontology of the ^ I 'Nationalist Thought and the Colonial World : A Derivative Discourse? Partha Chatterjee, Oxford University Press, C^l mm I *»f^?R '^cfeKt^ ^f%^ Pll0tograPhic Image) I ^3 %5fa (71 C^f^RT (?fft *R?f *ffff <TR6STO5 "*J*R <M^1<1 TlOT ^<fi%T -mm ^us ^rra %st *h ^m*rra ^ratm^m Delhj 1986 181 ^ ^5^5 wrre f^5l ^ *JC3, ?pr?^ ^ 1 'Nation and Its Fragments' $K3 ftff?RT T3rTC *tt fto^^R (Princeton University Press 1993) *tt*f <m 44? mm mm ft* 4^ 4<rt c^m #$fi> f%w it^f^s 8 I Cultural Creativity in the First Decade : The Example of Satyajit Ray, Geeta Kapoor, Journal of Arts and Ideas, Numbers 23-24 «JS (t I Enjoy Your Symptom : Jacques Lacan irn Hollywood and Out, Slavoj Zizek, Routlcdge, 1992, *j 8 *<t I if, *[ S ^ "..... implies a certain surplus which eludes the domain of ideology......." V I 'The World of Louis Bunuel : Essays in Criticism, Joan Mellen fHtf^S, Oxford University Press, 1978 *[S [Wi S Los Olvidados] I □
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